![]() ![]() Pontarlier glasses are nice addition to anyones collection - sturdy and attractive.Ībsinthe is more than just a tasty alcoholic beverage, it’s a ritual. Its sturdy construction also makes it ideal for every day use and it is dishwasher safe. This glass lends itself perfectly for preparing absinthe, for which it was originally designed, but can be used with enjoyment for any drink. ![]() This elegant glass provides an authentic absinthe experience with a reservoir bowl to hold the correct amount of absinthe.Įach glass is approximately 6 inches tall and 3 inches in diameter. Unlike some clumsy glasses available on Amazon, these absinthe glasses are NOT MADE IN CHINA, our Pontarlier glasses are made in France by Cristallerie La Rochere and we are confident that they will make a fine addition to your barware collection. The reservoir holds 25ml (0.85oz), which is typical for an absinthe glass of this size. The water-to-absinthe ratio varies depending on the drinker, but it is usually 3 to 5 parts water to 1 part absinthe. The reservoir located at the bottom of the glass is used to determine how much absinthe to add. The volume is quite large, approximately 250ml (8.5oz) – just over half a liquid pint, helping the drinker to appreciate delicate aromas and flavors from the best absinthes without overfilling. This glass is a perfect replica of the Pontarlier antique glass featured in the painting by Charles Maire made to the same measurements as original Pontarlier absinthe glasses, including the reservoir. A heavy machine-molded Pontarlier style absinthe glass using the original, recently rediscovered 19th century mold. 61.Īgnew's, London, -Oct 1997, London/England, Purchased by the AGNSW from Agnew's 1997.Pontarlier absinthe glass is a fantastic absinthe-tasting and collectible item. 61.Ĭhristie's New York,, New York/New York/United States of America, Purchased by Agnew's from Christie's New York,, lot no. Loaned to the Virginia Museum of Fine Arts by Mrs Riley, - May 1989, loan no. Mrs Richard Riley, pre, Petersham/Massachusetts/United States of America, by descent, daughter of Mr and Mrs T Catesby Jones. T Catesby Jones, post 1930s, New York/New York/United States of America, Information from John Ravenal, Curator of Modern and Contemporary Art, Virginia Museum of Fine Arts : their records show that a label verso of frame states that the painting was the joint property of Jeanne Bucher and T Catesby Jones, later becoming the property of Mr and Mrs T Catesby Jones and then by descent to Mrs Richard Riley. Bucher's in the years preceding the 2nd World War and that the painting could possibly have been purchased from an exhibition at Galerie Jeanne-Bucher. Jaeger writes that he can find no mention in their records of the painting being in the collection of Jeanne Bucher but says that T Catesby Jones was a client of Mme. ![]() Jeanne Bucher (France, b.1872,d.1946), 1930s?, Paris/France, Information from Jean-François Jaeger, Director, Galerie Jeanne-Bucher Paris : M. Galerie Kahnweiler, Paris, 1921, Paris/France, Sold at either the first or second Kahnweiler sale at Hotel Drouot, Paris - 13 & 14 June 1921 no.14 'Nature morte' 35 x 27cm purchased by Andre Groult for FF605, or 17 & 18 November 1921 no.7 'Nature morte' 35 x 27cm purchased by Andre Breton for FF220 The South Bank Centre, Braque still lifes and interiors, London, 1990, 29 (colour illus.). Wendy Symonds (Editor), Look, 'Georges Braque-Le Verre d'Absinthe', Heidelberg, Jun 1998, 13 (colour illus.). Maurice Raynal (Editor), Georges Braque, Rome, 1924, 24 (illus.). Terence Maloon, Paths to abstraction 1867-1917, Sydney, 2010, 229 (colour illus.). 109īruce James, Art Gallery of New South Wales handbook, 'Western Collection: Paintings and Sculpture', pg. George Isarlov, Georges Braque, Paris, 1932, 17. 13, Melbourne, 2009, 13 (colour illus.).Ĭharlotte Eyerman (Curator), Cubisti Cubismo, Milan, 2013, 107 (colour illus.). 108Ĭhristine Dixson, Cubism & Australian art, 'Le Verre d'Absinthe ', pg. Nicole Worms de Romilly and Jean Laude, Braque: cubism 1907-1914, Paris, 1982, 141 (illus.), 272. 13Īrt Gallery of New South Wales, Art Gallery of New South Wales annual report 1998, Sydney, 1998, 6 (colour illus.).Ĭhristie's New York, Christie's New York: Impressionist and Modern paintings and sculpture (part 1), New York,, (colour illus.). Agnew's, London, Agnew's 175th anniversary, London, 1992, (colour illus.). ![]()
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